Plaza Skyline and Main Street Bridge

Taken from the vantage point, this photograph captures the budding country club plaza district of Kansas City, Missouri. Prominent developer J.C. Nichols designed the plaza with an architectural aesthetic inspired by Seville, Spain, which he visited in the early twenties before opening the plaza in 1923. He built a half-scale replica of Seville’s Giralda tower as a cornerstone of the district, centrally located in the skyline of this photograph. In the foreground belying the tower appears to be open land dotted with sporting nets, and is where the UMKC tennis courts are located now nearly one hundred years later. One hundred years ago, Kansas City was bypassing prohibition, elevating itself as a national transportation hub, creating and expanding districts, and developing a boulevard system to connect them. In tandem with the development of the Country Club Plaza, Ward Parkway was built to connect the shopping district to the Country Club’s residential district near what is now Loose Park. This thoroughfare made movement and commerce more efficient in the city, which was in the process of doing the same to its local government at the time. In 1924, mayor Albert I. Beach backed a referendum for city manager government that was passed November 3rd, 1925, the month after this shot was taken. The first city manager, Henry F. McElroy, was a notable businessman and known operative for Thomas Pendergast. McElroy facilitated many commercial pursuits in Kansas City, including the expansion of the Country Club Plaza.
Plaza Skyline and Main Street Bridge
Plaza Skyline and Main Street Bridge
Inventory
Collection Number
17327
Building
Description
Details
This is a photograph of the northwest view of the Plaza Skyline and Main Street Bridge taken in 1925.
Artist
Framed
Yes
Width
1/2 inch
Height
19 inches
Length
23 3/4 inches
Object Type
Permissions
Reproduce the Work in Library publications/publicity, including film or videotape
Yes
Reproduce
Library has Photography Rights
Yes
Photograph
Permit the general public to photograph the work
Yes
Slides/Video